Search results for "Creative class"
showing 10 items of 16 documents
Reasons for Clustering of Creative Industries in Italy and Spain
2012
Creative industries and creative employment tend to concentrate around medium and large cities, forming creative local systems. We follow a multidisciplinary approach, based on cultural and creative economics, evolutionary geography and urban economics, in order to analyse the forces behind the clustering of employment in creative industries in a comparative analysis of Italy and Spain. The results show different patterns of clustering of creative employment in both countries. The historical and cultural endowments, the average size of creative industries, the size of the place, the productive diversity, and the concentration of human capital and creative class have been determined to be co…
The creative class: do jobs follow people or do people follow jobs?
2017
Accepted manuscript version. Published version available in Regional Studies, DOI: 10.1080/00343404.2016.1254765 Regional adjustment models are applied to explore causal interaction between two types of people distinguished by educational attainment, and two types of jobs: creative class jobs and other jobs. Data used are for labour market regions in Finland, Norway and Sweden from the 2000s. Creative class jobs follow people with high educational attainment (one way causation), but creative class jobs also follow other jobs and vice versa (circular causation). The results suggest that stimulating creative class job growth could be accomplished through attracting people with higher educatio…
Can Culture Explain Culture?
2012
This article argues that cultural explanations can help explain local policy choices. Drawing on the New Political Culture theory, the article combines three models of cultural change to explain the level of spending on cultural policies in Norwegian municipalities. In total, 430 municipalities are studied, and the results show that cultural change variables improve the understanding of local policy choices. The finding here indicates that some elements of the New Political Culture, like women’s participation, seem to be able to travel without losing their content. However, to fully be able to comprehend the level of cultural change in the Nordic context, better measures are needed.
Culture, communication and cooperation: the three Cs for a proactive creative city
2009
The network of European Union creative cities is a powerful new configuration of dynamic, innovative and action-oriented cities, able to transform the space using their network of cultural heritage and activities. From a vision in which the more competitive cities are those able to attract the creative class must go to a vision in which the city becomes generates creativity, presents itself as a powerful incubator of economies based on creativity, culture, research and artistic production. The cities will have to invest in the experience economy, strengthening their identity. The Creative City 3.0, therefore, is an active tension, that requires a long-term vision ability, and calls us to ac…
Why Study the Spread of Culture-led Development Strategies?
2012
Culture, entertainment and amenities as urban and regional development policies have received much attention over the last decade. In the wake of recent work on the creative class, culture-led development policies have been applied in cities and regions across the Western world. This article uses quantitative data to examine whether these policies have gained the support of Scandinavian local and regional politicians and, if so, why and how. Drawing on policy diffusion and policy transfer theory, the article examines from where politicians are influenced. Can the sources of influence be characterized as (1) horizontal, (2) top-down or (3) bottom-up? The main finding is that the top-down per…
Creativity, Culture and Urban Strategies: A Fallacy in Cultural Urban Strategies
2012
Two fields of knowledge have been of special importance for the emergence of culture-led urban planning in Norwegian cities: one concerns the understanding of the potential of culture as an economic driving force in urban regeneration, while the other focuses on the emergence of the concept of the “creative class” and has drawn attention to the importance of competence and creativity in urban development. Despite clear connections between the two fields, it may appear that false connections have been made in regeneration strategies in a number of cities. Based on analyses of the culture-led urban strategy of Kristiansand, a small Norwegian city, these knowledge fields are discussed and it i…
Getting out of the closet: Scientific authorship of literary fiction and knowledge transfer
2020
Trabajo presentado a la DRUID Society Conference, celebrada en New York (US) del 12 al 14 de junio de 2017.
The Creative Class Revisited: Does the Creative Class Affect the Birth Rate of High-tech Firms in Nordic Countries?
2015
In the new knowledge-based economy, the ability of both firms and regions to adapt to the changes in their external environment and to remain competitive is closely related to their capacity to innovate and continuously renew the existing structures and knowledge bases. With respect to this, dense concentrations of knowledge-intensive industries and related activities are usually considered to be propitious environments from which new innovations can emerge. In such environments, the ability to attract talented, highly skilled labor is crucial for the success of regions. Employees who possess and provide know-how and creativity play a leading role in knowledge-intensive production and inno…
Creative city, mobility, and creativity: Finnish artists in Berlin
2019
ABSTRACTCreative city, creativity, and mobility are interconnected. The creative city research focuses on long-term mobility of the creative class members: they ‘move in’ to a creative city. ‘Once ...
The Economic Value of Creativity: How Much, for Whom, and What for?
2017
The following chapter deals with the value od creativity in media management. The first part is a literature-based reflection on different perspectives on the value of creativity. While creativity generally is considered a core value of media products, I will argue that not all aspects of creativity are equally economically valuable and, thus, it is not in the best interest of media managers to maximize creative value. I will then change perspectives and address the question of the value of creativity for the individual media worker. The second part of this chapter combines the perspectives of the predominantly economically oriented media managers with that of the predominantly culturally o…